Krishna: Myth or Man?
Archeologists Document the Life of Krishna
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KRISHNA
God and Superman
If
there is one person who has impressed the Indian mind through the
centuries, it is Krishna. He has influenced the course of Indian culture
in all its aspects – religion, philosophy, art, literature and
sculpture. Hindus have always believed in the divinity and historicity
of Krishna even though the British took pains to prove to us that our itihasas (historical books like the Mahabharata and Ramayana) were totally mythological and the characters were the figments of the fertile imagination of both Vyasa and Valmiki.
This was very necessary for them since one of their ambitions was to
replace our culture and gods with the one god of Christianity. Our
history was re-written by them and the children who were taught in
British schools believed that our avatars (incarnations) were only
mythical characters. It is a strange fact of the character of the Hindus
that though outwardly they might profess to believe in the view of
their conquerors they will continue to follow their age old practices.
Almost all the festivals of this country have something to do with Rama
and Krishna and these have been going on through the centuries with
unabated vigor. Maybe this facet of the Hindu character is what has made
us survive the onslaughts of so many foreign invasions. Though we are
willing to give in to other people’s viewpoints, we never let go of our
own and keep on practicing what we have been doing for thousands of
years! It is the tree which is capable of bending that will be able to
sustain a hurricane. Those that stand up straight and tall and refuse to
bend will be battered down!
The multi-faceted personality of Krishna Vaasudeva
defies all attempts to cut him down to fit our particular idea of how a
human being should behave. He is unique and can never fit into any of
the patterns into which we try to mould all human beings. Actually we
can say that he belongs to the future even though he lived so many years
ago. Modern man has still to reach the heights of intelligence and
power that he possessed. This is why he has never been totally
understood.
In Krishna we find the picture of a completely evolved
human being. He is a unique personality. He shows us that the human
being is the greatest of all creations and there is no limit to what he
can do if he experiences the source of cosmic power within himself.
Krishna accepted no limitations. If anyone can be said to be totally
free it is Krishna. He was not bound by any rules of conduct imposed by a
mediocre society on those individuals who could not decide or think for
themselves. In the galaxy of spiritual luminaries, Krishna is the only
one who accepted life in its totality and did not make his followers
believe that we are living here only for the sake of going to heaven. He
insisted that if there was a heaven it has to be found in this very
world. He never offered the uncertain bait of a wonderful life after
death for those who lived a pure life on earth. He always encouraged
people to rise to the highest within themselves so that they would be
able to enjoy this life along with all its dualities and contradictions.
He saw life as a drama in which each of us has to play the part we are
called upon, to perfection. He was ever an actor on the stage of life,
participating in everything with great enthusiasm but always aware of
the fact that he was only playing a part! He alone can be called “whole”
who is prepared to accept the fact that the “whole” includes all the
contradictory parts. There was no ground he did not tread, no point
where he faltered and no limit that he did not transcend. This freedom
is the fruit of ultimate enlightenment and is available to every human
being.
A truly enlightened person should be capable of
unreservedly accepting all the dimensions of life. Such a person should
be above the dualities of life, like love and hate, sex and chastity,
violence and non-violence, war and peace, action and inaction,
indulgence and abstinence! Krishna lived in this world of dualities as
the lotus leaf in the pond, totally unaffected by the mud from which it
has come. This is one of the beautiful illustrations he gives about the
state of the enlightened soul in the Sreemad Bhagavad Gita.
Those who read the Bhagavad Gita without understanding
this fact about him may be mislead into thinking that Krishna approves
of war. He certainly does not support it but neither does he reject it.
He accepts it as part of the game of life. He tried his best to dissuade
the Kauravas (the opposite faction) from the war but they forcefully
resisted his every attempt at reconciliation. As he told his friend
Arjuna, though it is good to try and avoid war, yet if it becomes
unavoidable it is best to accept it bravely and even joyfully and do our
best rather than be a coward and run away from battle.
War and peace are two sides of the coin of life.
Warmongers like Genghis Khan, Alexander, Hitler and Mussolini accepted
only one side of the coin and believed that war was the only way of
life. Pacifists like, Mahavira, Buddha, Gandhi and Christ on the other
hand chose the other side of the coin of truth. But every coin has two
sides and by denying one side, we will not be able to win the battle of
life in which we are faced with conflicting situations every moment of
our lives. Krishna is different from both these types. He says that life
has to pass through the door of war as well as peace. If someone wants
to maintain peace, he needs to have the strength and ability to fight a
just war. Whether he wins or loses is immaterial but he should have the
moral and physical strength to face it, if called upon to do so.
Even though Christ is the one who told his followers to
show the other cheek, the fact is that only the Hindus have ever
practiced this so-called virtue. The Christian countries never practiced
it and always retaliated when they were faced with enemies! All the
great wars of the world starting from the Crusades were fought by
Christians. Actually India is the only country which has never invaded
another country or started a provocative war! However history has showed
us that when faced with a most adharmic (totally negative) situation,
we should have the guts to fight if that is the only way we can save our
culture.
Goodness suffers from a basic weakness. It tries to avoid any
type of conflict regardless of the consequences. For the past few
centuries India has been ruled by such “good men” who were responsible
for weakening our morale to such an extent that we were continuously
battered and bruised by powerful enemies who preyed upon our weakness
and plundered and looted and tore us apart.
Krishna is indeed a great mystery and no one has been able to
understand him totally. Everyone saw him according to their own
spiritual vision. The gopis saw him as the highest expression of love
and the yogis as the Absolute Truth. As a warrior he had no parallel, as
a statesman he was extremely shrewd, as a teacher he was supreme. There
was no one who called to him, whether saint or so-called sinner, in
hatred, fear or love who he discarded or avoided. To him everyone was
the same but each had to be treated according to their particular
characteristic.
He is the divine charioteer seated in the heart of everyone –
the Supreme Guru. In and through the redundant details which have woven
themselves round his story, it has retained its breathtaking beauty
through the centuries for it is dominated by the brilliance of his
enchanting personality in which the wisdom of the seer is mingled with
the charm and simplicity of a child through which the glory of the
divine gushes forth in an inexhaustible fountain of divine love and
wisdom.
Jai Sri Krishna!
Dwaraka
Lord
Krishna 's Home Discovered
"The
sea, which had been beating against the shores, suddenly broke the
boundary that was imposed on it by nature. The sea rushed into the
city. It coursed through the streets of the beautiful city. The sea
covered up everything in the city. Arjuna saw the beautiful buildings
becoming submerged one by one. He took a last look at the mansion of
Krishna. In a matter of a few moments it was all over. The sea had now
become as placid as a lake. There was no trace of the beautiful city,
which had been the favourite haunt of all the Pandavas. Dwarka was just
a name; just a memory." – Mausala Parva, Mahabharata.
Hinduism is not a
historical religion. If somebody were to prove conclusively that
Krishna, Rama and the various gods of the Hindu pantheon never existed,
most Hindus would not mind in the least and the religion would continue
to flourish as it has done for so many centuries. However to the
devotees of Krishna, he is as real as any of their friends or relatives
or children depending on how they regard him-as friend, relation, child
or lover. This being so, most Indians have not bothered to verify his
existence. This itself is very strange since there have been countless
devotees of his who have heard the haunting melody of his flute calling
to them across the centuries and even seen glimpses of his enchanting
form. But this is a failing in the Indian mentality which considers
historicity to be of least importance. What is more important to us is
the impact that such a being has had on us. Krishna has shaped the
trend of our culture, our art, music and sculpture over the centuries
and this is enough for us. The very fact that the stories of Krishna
have stood the challenge of centuries should have proved to us that
such a personality did indeed exist in solid flesh and blood at the
time given in our scriptures. The modern mind is the western mind and
has a scientific bent and our generation should have tried to price
open the veil of the centuries and found out the truth about our
favourite god.
But unfortunately the modern educated youth of our country have been
fed on a pack of lies which have been given in our history books which
have been written by western orientalists with vested interests. Our
youth have been brainwashed into believing that our scriptures are all
a pack of lies or at best a type of myth and fantasy. However the fact
is that our Puranas are true records of our glorious past. When the
English first came to India they were shocked to find that if the dates
given in our Puranas were true, Indian civilization pre-dated theirs by
thousands of years. They refused to accept the fact that a glorious
civilization flourished in India at a time when in Europe, they were
still scurrying around like barbarians clothed in skins and carrying
crude weapons. Thus they labelled as myth all historical evidences in
the Hindu scriptures especially in the Puranas.
Brainwashed by the views of the western historians we have forgotten to
gaze at our scriptures with an unprejudiced look. If we did so we would
realise that Vyasa, the author of the Mahabharata was a contemporary of
Lord Krishna and was actually describing events which he had observed
himself and in some of which he had played an important part. But
unfortunately as I said, our Puranas have never been recognised as a
true record of our history by western historians but have been dumped
into the category of myth and fantasy. This type of classification had
been done by the British colonial scholars who were in reality
missionaries who did not want Indian history to clash with the views of
the bible. Destroying the historicity of Krishna was an important part
of their campaign to establish their own religion in India. To give
them their due it might be possible that they did not understand or
realise the depth and wisdom which was embedded in the Hindu
scriptures. The sad fact is that the Indian historians, who should have
known better, blindly copied the facts given by the westerners in their
books.
Early western Indologists in their missionary zeal tried to put down
the importance of the Vedas as well. They labelled them as primitive
mythology. However, many great souls like Schopenhauer in Europe and
Emerson in America acclaimed the Vedas as the greatest revelations of
divinity known to man. It is said that when Oppenheimer who invented
the atomic bomb, watched the explosion, he quoted from the 11th chapter
of the Sreemad Bhagavad-Gita. When asked if this was the first ever
nuclear explosion he said “yes, in modern times,” meaning to say there
were many before that. In fact there is evidence to prove that nuclear
weapons were used in the great Mahabharata War.
Another despicable thing done by the western historians in order to
belittle the greatness of the Aryan culture was to say that the Aryans
were a foreign race who came from outside. Modern archaeologists have
proved this to be absolutely false. Archaeology certainly does not
support the Aryan invasion theory. Recent independent studies show no
evidence of a foreign invasion occurring in India at the dates pointed
out by the historians. The river, Saraswathy is described more than 50
times in the Rig Veda. Satellite pictures very clearly show the
Saraswathy rising in the Himalayas and going to the Arabian Sea. The
drying up, due to many geographical reasons, is also clearly seen in
the pictures. The great Vedic culture flourished all along the banks of
the River Saraswathy and was essentially a product of the holy soil of
India and not an implant from outside. This is clearly shown in the
Vedas. Why did those historians not accept the data given in the Vedas
instead of going on a trip of their own in order to establish their own
views which were certainly not supported by anything in our scriptures
and inflict their religion on this country?
Unfortunately our own historians have only copied all the false
observations of our own country’s history and these are the views that
are being taught to our school children. Brought up on western
educational methods and books, our children have been taught to scorn
their own religion and doubt the reality of their gods who are the
corner stones of our culture.
Luckily this century which is famous for its thirst for investigations,
has unearthed many astonishing facts, which will prove, for those who
need proof, that our scriptures were absolutely correct in their
description of the fabulous city of Dwaraka which was built by Krishna
as the stronghold of the Yadavas. It will also prove that Krishna was
indeed the superman or supreme incarnation of God as our scriptures
declare.
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The City of Dwarka had
existed
from 32,000 to 9,000 BC.
When the Pandavas heard that Krishna, their friend, God and guide had
left this mortal plane, Yudhistira, the eldest Pandava and King of
Bharatavarsha (India) sent his brother Arjuna, the middle Pandava to
Dwaraka to find out what has happened to the Yadava clan. When Arjuna
reached the place he was appalled to find what was happening. The
quotation given above is from the Mahabharata and is a first hand
account of how Dwaraka went under the sea underArjuna’s very eyes, as
prophesied by Lord Krishna.
The modern city of Dwaraka is to be found in Saurashtra and is a great
pilgrim centre since our scriptures declare it to be the seat of the
Yadava clan and Lord Krishna’s capital. However according to the
stories mentioned in many of the Puranas like, the Mahabharata,
Harivamsa, Vishnu Purana etc. that fabled city of Dwaraka had been
washed away into the sea. Soon after the Lord left his mortal body, the
city was washed away as he had predicted, the scene of which has been
graphically described above.
In 1983 some excavations were done outside the modern city of Dwaraka,
which revealed the existence of a glorious city of ancient times. They
found seven temples one on top of the other. The bottom most one was
the most interesting since it showed many pottery shards and
seals which clearly pointed to the existence of a fantastic city at
about the time mentioned in the Mahabharata. These findings encouraged
the Marine archaeology centre of the National Institute of
Oceanography, to take up a serious work along the coast of the island
known as Bet Dwaraka.
The strongest archaeological support for the existence for the
legendary city of Dwaraka, comes from the structures discovered in the
late 1980s under the seabed off the coast of modern Dwaraka in Gujarat
by a team of archaeologists and divers led by Dr S.R. Rao, one of
India's most respected archaeologists. An emeritus scientist at the
marine archaeology unit of the National Institute of Oceanography, Goa,
Rao has excavated a large number of Harappan sites, including the port
city of Lothal in Gujarat.
In his book “The Lost City of Dwaraka”, published in 1999, he writes
about his undersea findings: “The discovery is an important landmark in
the history of India. It has set to rest the doubts expressed by
historians about the historicity of the Mahabharata and the very
existence of the city of Dwaraka.”
Conducting 12 expeditions during 1983-1990, Rao identified two
underwater settlements, one near the present-day Dwaraka and the other
off the nearby island of Bet Dwaraka. This tallies with the two
Dwarakas mentioned in the epic. These underwater expeditions won Rao
the first World Ship Trust Award for Individual Achievement.
Dr Rao is to be congratulated on his efforts in corroborating these
truths with evidence that can stand the test of critical analysis and
scientific evaluation. He says that further digging and diving, in
India’s vast treasure trove of historical facts will further
corroborate the key dates of our eventful and glorious past.
Another important find by the divers was a conch seal that established
the submerged township's connection with the Dwaraka of the
Mahabharata. The seal corroborates the reference made in the ancient
text, the Harivamsa that every citizen of Dwaraka had to carry such a
seal for purposes of identification. Krishna had declared that only one
who carried such a seal could enter the city. A similar seal has been
found onshore.
From 1998 to 2001 many underwater explorations were set about which
pointed out to a highly civilised city which must have existed at that
site, which had great maritime connections with many other countries
and which must have been washed away by something like a tsunami or
some such hurricane. Dwaraka was a large well- fortified city with an
excellent drainage system, massive gates and a wall stretching about
hundred eighty miles. It was a sprawling city with gardens and orchards
and bastions, with a population of about 10 thousand people. There are
many clues which point out to the fact that it must also have been a
bustling port. Many ancient anchor stones give ample evidence of this.
All these findings have suddenly roused a lot of interest amongst all
Hindus both in India and abroad since it is solid proof of the
existence of one of the favourite gods in the Hindu pantheon, namely
Lord Krishna.
Around the same time archaeologists from other countries were also
busy. Along the coast of the Bay of Cambay and off the coast of modern
Dwaraka, they found evidence of a settlement deep under the sea. In
seventy feet of water, they found sandstone walls and cobbled streets.
Looking up the descriptions of the city of Dwaraka as found in the
ancient Hindu scriptures they realised that this must be the remains of
the legendary city of Dwaraka ruled by the great God King, Krishna.
Wood and pottery chards were found that can be dated back to 32,000
years again proving that the time limits set in ancient Hindu
scriptures might be true even though most westerners dismissed it as
being absurd. But now with these findings they cannot help but believe,
if they want to believe. For many years now western Indologists have
shut their eyes to the glory that was ancient India. The city had
existed from 32,000 to 9,000 BC. This discovery proves that the
life of Krishna is not mere mythology but it is a true, historical
record of a towering personality who had lived on this holy land of
India.
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A mighty war between
the super human, Krishna
and the alien- Salva...
The west coast of Gujarat was the
traditional land of the Yadavas, or Yadus, the clan of Krishna.
According to the Bhagavad Purana, Krishna led the Yadavas on a thousand
kilometre trek from Mathura, the first capital of the Yadavas towards
the west coast of India to establish a magnificent city called Dwaraka,
where they could start a new life, safe from their enemies in the
Gangetic plain.
The Mahabharata says,
Dwaraka was reclaimed from the sea. Rao’s divers discovered that the
submerged city's walls were erected on a foundation of boulders,
suggesting that the land was indeed reclaimed from the sea. However
after its Lord and master left this plane, the sea claimed back the
land which had been taken from it. One cannot separate Dwarka from
Krishna. If the city existed, then it is true that Krishna also existed.
Dr Narhari Achar,
professor of physics at the University of Memphis, Tennessee, has dated
the Mahabharata war using astronomy and regular planetarium software.
According to his research conducted in 2004-05, the titanic clash
between the Pandavas and the Kauravas took place in 3067 BC. Using the
same software, Dr Achar places the year of Krishna’s birth at 3112 BC.
Actually our Puranas set a far earlier date.
Another very interesting
fact found by astronaut technologists is that the war between a king
called Salva and Lord Krishna, which is described both in the
Mahabharata and the Bhagavad Purana, is actually a description of a war
with an extra- terrestrial being.
The Bhagavad Purana says
that Salva had done great tapas to Shiva and had been given an aerial
vehicle called the Saubha which was as big as a palace and which had
miraculous powers like becoming invisible and appearing at different
places at the same time. Salva had been itching to get his hands on
Dwaraka and when he heard that both Krishna and Balrama were away at
Indraprastha, the capital of the Pandavas and only Krishna’s son,
Pradyumna was left to guard the city, he decided that this was an
opportune moment to attack it. He flew over Dwaraka in the Saubha and
destroyed the outer woodlands and gardens. Then he directed his attack
against the bastions of the city so that his army which was marching
over land could easily penetrate it. Flashes of lightning, hail stones,
cyclonic storms and clouds of dust were released from the Saubha which
was equipped with all the latest type of weapons! Pradyumna and some of
the other sons of Krishna ably defended the city for twenty seven days
but were overpowered by Salva’s superior forces.
Lord Krishna heard of the
attack and hurried to his son’s rescue and there ensued a mighty war
between the super human, Krishna and the alien- Salva. In this Krishna
is said to have fired arrows which resembled thunderbolts and balls of
lightning and brilliant piercing rays of the sun. The weapons used by
Salva makes one suspect that he was using alien technology. His
spacecraft made of metal seemed to appear simultaneously at different
places like the UFOs. But Lord Krishna retaliated with weapons which
had the force of superior spiritual power and Salva who was hard
pressed resorted to magic tricks and created the form of Lord Krishna’s
father, Vasudeva and proceeded to cut off his head in front of
Krishna’s eyes. Krishna faltered for just a moment but then realised
that this was another trick of his enemy and very soon he brought the
Saubha down with one of his miraculous astras(missiles), charged with
the power of potent mantras. But Salva escaped and came to fight with
him again in the great Mahabharata war.
Krishna is famous for his
lilas or pranks and games. All these centuries he kept his identity a
secret and played along with the western historians and allowed people
to think that he was only a myth of the febrile imagination of the
mighty intellect of Vyasa! But now it looks as if He has decided that
this is enough. He has chosen to reveal himself- tear open the veil of
maya in which He has shrouded himself and expose the truth of his
inspiring life to the public gaze!
It is in view of such
great findings that I have ventured to write a new Introduction to Sri
Krishna Lila which is being re-printed by Inner Traditions,
Vermont, USA. I hope this will bring about a revival of interest in the
perennial philosophy of Hinduism and uplift the glory of the supreme
incarnation of Lord Krishna.
Hari Aum Tat Sat.
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Excellent Youtube Videos
Dwarka: Lord Krishna's Home discovered
Dvaraka
Giant Underwater City found in India
Ancient Dwarka Website
The Temple of Dwarakadeesh
The holy land on which the temple of Dwarakadeesh stands is so ancient
that it is difficult to pin-point the date even now. The temple is also
known as the Jagat Mandir or Temple of the World.The present temple is
about three thousand years old. Excavations have shown the existence of
seven temples below this one. The present temple is supposed to have
been built by Vajranabha, the great grandson of Lord Krishna who was
not present when the holocaust of the Yadava clan took place. He is
said to have built it over the Harigriha or the palace in which Lord
Krishna lived. Dwaraka is one of the holiest of the holy places of
India. It is included in the four great dhams of India which are
Badrinath in the north, Rameswaram in the south, Jagannathpuri in the
east and Dwaraka in the west. These are the four which were visited by
Adi Shankaracharya. His shrine is still to be found just outside the
temple when you climb up the stairs going up to the Swarga Dwara.
Dwaraka is also included in the seven most holy cities of India
-Ayodhya, Mathura, Haridwar, Kashi, Kanchipuram, Ujjain, and Dwaraka.
It is of course included in the 108 Divya Deshams for Vaishnavites. It
is supposedly the hundred and sixth. The other two are in Vaikunda and
cannot be visited by human beings. The temple stands on the banks
of the Gomati River just before she meets the ocean at the place called
Chakra teerth.
Swarga Dwara... the door of heaven
Mathura was the original capital of the Yadavas but after the death of
Kamsa, his father-in-law Jarasandha kept harassing and attacking the
city so that Lord Krishna decided to take his clan to a safer place. He
chose the place known as Kushasthali which was given by Yayati, the
ancestor of the Yadavas to his son Yadu. It was called Kushasthali
because Brahma threw a piece of the grass known as Kusha into the world
and it landed on this land and gave the name Kushasthali to it. Since
the land was not enough to accommodate his whole clan, Lord Krishna
acquired more land from the sea and built the fabulous city of Dwaraka
with the help of the celestial architect Visvakarma. It was known as
the golden city since all the palaces were made of gold. However the
Lord had prophecied that this portion would be given back to the sea
after he left this planet and so it happened. Seven days after Lord
Krishna left his body the sea took back the land and the fabulous city
of Dwarka vanished into the waters. It was only recently that under
water investigations revealed the existence of such a city exactly as
had been described in the Mahaharata and Harivamsa and the Bhagavad
Purana thus providing historical evidence for the existence of Lord
Krishna. Of course the Hindus had never doubted it and half the
festivals of this land are concerned with some aspect of his life yet
the British when they came did their best to make the Hindus disbelieve
the evidence of centuries for they instinctively knew that the only way
they could subdue this great sub-continent and impose their religion on
it was to convince the people that the great incarnations of their land
– Rama and Krishna were mere myths, figments of the imagination of
Vyasa and Valmiki. The Hindus of course in their usual placating manner
did nothing to contradict this idea but continued to worship the gods
they had worshipped for ages. Of course they knew that these avataras
had trod the holy soil of this land and whatever others tried to prove
hardly mattered to them for one day or other Truth would triumph. This
faith has paid off and now there is no denying the existence of these
great incarnations whose stories form the warp and woof of the
intricate fabric of the Hindu religion.
Vishnu’s form as Dwarakadeesh
I had been to Dwaraka twice before but it was always the usual look and
run type of pilgrimage since it was with other people who had neither
the time nor the patience to seek for the interesting aspects of this
great land. So this time I came alone and stayed for 11 days and was
able to probe into the heart of this holy place. Of course as soon as I
came I took a bath and ran to the temple. I was just in time for the
evening arati as I came up to the front. I was so happy that tears were
running down my cheeks because He had arranged such a welcome for me.
Not only was it the time of the arati but he was dressed all in purple!
I couldn’t believe it. I never saw him in purple again even though I
stayed on for 11 more days. During the time of the shayana arati I
noticed to my joy that his little bed and boltsters kept on either side
were all made of a deep purple velvet. I didn’t know whether to laugh
or cry. I think I did both. This time I was able to scrutinise his
accoutrements closely and noticed that unlike the usual Vishnu idols he
held the Sudharshana chakra in his left upper hand, which normally
holds the conch shell known as the Panchajanya and the mace known as
the Kaumodaki in his right upper hand which normally holds the chakra,
and the lower left hand was holding the conch shell and the right hand
the lotus. The colour ofthe idol was pitch black. I don’t know what
stone it is made of. The idol is supposed to represent not only
Vishnu’s form as Krishna but also as Trivikrama or Vamana – the avatara
in which he took three steps in order to subdue the asura knwn as
Mahabali. Supposedly Durvasa was the one who called Vishnu in his form
as Vamana from the nether regions to come to the spot and rid it of the
asuras. This was how Trivikrama came and stayed along with Krishna as
Dwarakadeesh. The rituals here are quite unlike those in the south.
They follow the guidelines given by Vallabhacharya and his disciple
Vittaleshnathadaji.
The main door through which most people enter is known as Moksha Dwara
or the gateway to liberation. The door at the back leading to the banks
of the Gomati River is called the Swarga Dwara or the door of heaven.
It has thirty-six steps leading to the banks of the Gomati. I went down
these steps flanked with shops and came to the Durvasa Kund which was a
small well dedicated to Durvasa. He is supposed to be Lord Krishna’s
guru and I had noticed that there was a small shrine to him inside the
compound of the main temple. In fact there are many stories connected
with him in this place. Climbing down the steps from Swarga Dwara, I
came to the beautiful Gomati River. She had a lovely colour and her
water was clear and translucent. One could see the stones on the bed.
She is supposed to be a portion of the heavenly Ganga who was brought
down for Lord Krishna’s puja by the rishi Vasishta and hence she was
called Gomati. A boat was ferrying people to the opposite shore which
was like an island. There was also a bridge going across but I
preferred to take the boat. He charged only Rs 10 for the up and down
ride. In fact many things here I noticed cost only Rs 10, like the
garlands and the tender coconuts and the little flower boats which are
to be floated down the river. I thought it was rather sweet and so
different from other temple towns like Vrindavan where most of the
vendors are very greedy.
Across the river is the island which has the Panchadanda theerthas or
the five wells of holy water. The Pandavas are supposed to have come to
this place during their twelve years of exile. Five of the great rishis
like Marichi, Angiras, Atri, Vasishta and Gautama came to help them.
Each of them sat with one Pandava and drew the waters of five rivers
into the kunds or wells. These rivers are Jambuvanti from Gaya at
Bhima’s kund, Gomati from Lucknow at Arjuna’s kund, Ushawati from Goa
at Nakula’s kund and Chandrabhaga from Orissa and Maharastra at
Sahadeva’s kund and Lakshmana from Badrinath and Himachal at
Yudhishtira’s kund.
Rukmani Temple Detail
The peculiar thing is that in this place where all the water has a
brackish taste, three of the kunds have sweet water. They were very
deep and I shuddered when I looked down and saw the water glinting way
down below and wondered what it would feel like to fall down. There was
a man with a bucket on a rope who kindly drew up some water from each
well and gave pilgrims a sip. It was indeed strange how each of the
kunds had different tasting waters. After tasting the water of the
kunds I walked down the island to the last point where the river meets
the ocean.
Kund
This is a holy spot known as the Gomati sangam. I noticed
how calm the Atlantic is as compared with the Pacific Ocean. There were
no huge waves, only the quiet sound of the water lapping on the rocks.
I sat there on the tip of the promonatory all by myself. I was all
alone with Krishna beside me watching the sun as it slowly went down in
a burst of glory. A small boat passed right accros the huge orange ball
of the sun just as it was dipping into the ocean. The sky slowly
changed into crimson and yellows and even some purple before it started
to get dark. I ran back to catch the last boat back to the mainland. I
didn’t relish the thought of being stranded on the island at night.
Gomati Ghat
I walked along the banks of the river on the other side. It was
flanked by many little shrines. The one I liked most was the Samudra
Narayana temple and the shrine to Gomati Mata. It could be seen from
anywhere along the beach. Its so sweet how all rivers are considered as
mothers for they are the ones who are capable of feeding the whole
population. How would we survive without water? By the time I reached
the sangam, the tide was coming up and the ocean was encroaching into
the river. It seemed to be pushing her up and she placidly allowed it
to do what it willed with her. Surely her pristine waters would get all
salty I thought to myself. The ocean which I thought to be quite calm
and gentle had turned aggressive and was really pushing her back to
where she had come. It was getting dark and I was forced to part
company with the river. The way to my hotel turned into a built up
pathway along the beach. Luckily it was not lit up so I had the
pleasure of walking hand in hand with my beloved Krishna all along the
beach till we reached the hotel. People always ask if I get frightened
wandering about alone in a strange place especially after dark. How can
I explain to them that I’m never in a strange place and I am never
alone!
Sunset at Samudra Narayn Temple
When the Lord took up his abode in Dwaraka five sages like Marichi,
Atri, Angiras, Gautama and Vasishta came to the place. Vishnu is
supposed to have given darshana to them on the banks of the Gomati from
which I had taken the boat, in the form of the Sudarshana Chakra so
this place is known as Chakra Teerth or Chakra Narayana. The main
street leading to the temple was dusty and crowded with cows and
saddhus. I had never seen such a collection of cattle and men wearing
orange clothes. The cows of course had very placid natures like the
Gujaratis but the sadhus were more ferocious and demanded all sorts of
things from me. I also went to the lighthouse which again was on a
promontory and quite close to the hotel. Luckily I found a man who had
a wealth of knowledge about the different temples of Dwaraka. He knew
many temples which were hardly ever seen by most pilgrims. The sun sets
from the spot on which the lighthouse stood was again spectacular. As
he said right across the ocean was Arabia and to the north was Pakistan.
The next few days were spent in visiting various temples many of which
have not even heard of by most pilgrims. Of course I would make my
daily visit to Dwarakadeesh. Every day he wore a new color and his
dress and ornaments were also changed at every arati of which there
were many. The priest who adorned Balarama was also extremely artistic.
Sometimes I thought he was better dressed than Dwarakadeesh. Once he
was kept inside a kind of circle of peacock feathers. How I wished that
we were allowed to take photos. It is really sad that so many people
are unable to delight in these beautiful creations. Only the same
stereotyped photos are found in the market.
BET DWARAKA
Next day bright and early I set out for Bet Dwaraka which is the
original island called Shankodara. It is about 30 km from Dwaraka to
Okha which was a sea port. We have to pass the town called Mittapur
which is the salt city of India. All the Tata salt which is sold all
over the sub-continent comes from here. As you pass along the road you
can see that the fields look white. This is all salt. Okha is a small
town from which you can catch the ferry to Bet Dwaraka in which there
is a huge temple of Krishna. The idol is supposedly made by Rukmani.
There is utter confusion at the place where we have to catch the boat.
There is no proper channelling of people so it’s a kind of a free for
all. If you are lucky you can somehow manage to get into the boat
without falling into the ocean. It is best to grab a ledge or the floor
of the boat or some place where you can sit. They charge only Rs. 10
for this wonderful ride with gulls screaming overhead and the sun
glinting on the waves. There was a bhajan party who happily sat on the
floor of the boat and sang throughout the half hour ride through the
placid waters. They had brought their instruments along and sang with
great gusto. In fact one of the things which I don’t like about all
these temples is that there is a cacophony of songs and drums all the
time so that you lose half the vibrations.
Alighting from the boat on the quay at Bet Dwaraka is also fraught with
excitement since one has to leap out of the boat onto the land. There
is a steep climb from here to the main temple of Dwarakadeesh. Those
who cannot manage the climb are offered the rare privilege of sitting
on carts which are normally used for transporting goods. All along the
route people are selling shells and things made of shells and porcelain
things like pots for tulsi. I think they have a factory somewhere and
the clay must be good. The island apparently is made of partly clay and
partly sand.
The main temple of Dwarakadeesh was being renovated. The sculptor was
obviously very good and had portrayed all the aspects of the Lord’s
childhood pranks in Vrindavan. I’m always surprised that all
artists are anxious to show only his childhood leelas and hardly ever
touch upon the glory of Dwarakadeesh – the king of Dwaraka. I
determined to write a book on Dwarakanatha alone.
The structure is made of sandstone as are all the temples in the
vicinity. Hence there is a great deal of wear and tear caused by the
salt wind from the sea. Again my Lord’s grace was such that I reached
the main temple exactly at 11 o’clock in time for the noon day arati.
Since all these temples follow the Pushtimarga a lot of importance is
given to aratis and decorations. The idol was almost as big as the one
at Dwaraka and was beautifully dressed in a similar fashion. It is
supposed to have been made by Rukmini and there is temple to her which
is adjoining. The priests try to persuade you that this is the place
where Lord Krishna spent a lot of his time but I could not believe
this. This is the place where he is supposed to have rescued his Guru’s
son from the demon called Shankachuda and got his famous conch shell,
the Panchajanya from him. He had made he island into a perfect port and
obviously attracted many trading boats coming from Arabia and other
places like Mesopotamia and so on. Excavations have unearthed many
artifacts. Actually I had read that he had made a palace for
Sathyabhama and Jambavati on this island. The temple closed at 12.30
noon so I ran off on my other visit on this island to the famous temple
of Hanuman called Dandi Hanuman which is about 5 kms. from the temple.
DANDI HANUMAN.
Hanuman & His Son Makaradwaja
One on the right which is sinking is Hanuman and the one on the left is Makaradwaja.
Temple of Dandi Hanuman.
Luckily I found a rickshaw on the other side of the temple which took
me to Dandi Hanuman. The road was flanked by bare desert shrubs and a
hot salty wind blew all the time. The temple was a tiny one as can be
seen and it was closed for the noon bhog. So all the devotees sat in
front waiting for it to open. All the time everyone kept chanting the
Hanuman Chalisa. In the background the thirteen-syllabled mantra was
being chanted. It is a small temple built under a peepul tree and is
facing east. As soon as it was opened everyone trooped inside the small
cave-like structure where one could have darshan of the two figures.
The smaller one on the right was Hanuman and the bigger one on the left
was his son Makaradwaja. Apparently the one on the right was growing
and the one on the left was sinking. When it sank right down to Patala,
the Kali Yuga would come to an end. This is the only temple in India
where Hanuman is seen with his son.
Makaradwaja can be seen fully. His right hand is raised in the abhaya
mudra and his left fist is on his chest as if to say “Why should I
worry when I have my father in my heart?” His left leg is raised and
resting on the head of a demon which is pinned to the ground. His tail
is resting on the ground, implying that the demon had been pinned down
without much effort.
Hanuman‘s body is seen only above his thigh. His right hand is raised
above the right shoulder and kept at the back of his head. His left
hand is resting on his chest. His tail held above the right shoulder
runs parallel to the hand which is kept on his head. It appears that
Hanuman is in a relaxed mood enjoying the scene of his son destroying
the demon.
A mace or club is placed between them. It looks as if they don’t need
any weapons here since both of them are in a holiday mood. The word
“Dandi” in Gujarati means a joyous mood. Hence the name of the temple.
This is a unique temple since both father and son are seen together.
Another important fact is that neither of them carry weapons. During
the festival of Dassera, Lord Dwarakadeesh of Bet Dwaraka is dressed as
Sri Rama and taken to this temple in a palanquin. There is a continuous
chanting of the tryodashi mantra (Sri Ram jaya Ram, jaya jaya Ram) in
the temple.
People suffering from any chronic disease are asked to take some supari
or betel nut from the priest and return to their home, promising to
chant this mantra with the supari in their hand, for as long as they
are able. When their wishes are fulfilled they have to return the
supari covered in gold to the temple.
Sri Ram jaya Ram Jaya jaya Ram
RUKMANI TEMPLE
Rukmani Temple
I really think this is one of my favorite temples. Rukmani of course
was always my favorite and I felt it was a shame that she was given a
temple so far away from her beloved. Of course there is story connected
with this as there always is. The pujari at the temple is never tired
of repeating this to every tourist. Once it is said that Krishna and
Rukmani went to invite the sage Durvasa for a meal to their house in
Dwaraka. It is considered a great honor to have a sage visit your abode
for a meal. Of course Durvasa’s temper was always unpredictable and he
told them that he would come provided they both pulled the chariot
which had been brought to take him, instead of the horses. They were
forced to agree but after some time as can be expected Rukmani became
very thirsty. Seeing the sorry condition of his beloved wife the Lord
dug his toe into the ground and out spouted the Ganga herself. She
quenched her thirst and they were all set to carry on but the sage had
noticed all these doings and declared that since they had been so
lacking in manners as to have water before offering to the guest they
would be cursed to live apart for twelve years. He also cursed that all
the water in Dwaraka would be brackish and the only sweet water would
be found where the Lord’s toe had dug into the ground. Even today the
water for abhishekam in this temple is brought from that kund and it is
also given to thirsty pilgrims. Thus Rukmini’s temple is 3 kms away
from the temple of her Lord. During her twelve years of penance she is
supposed to have made a wonderful statue of Lord Krishna out of the
clay found on the sea shore on which the temple is situated. This is
the idol of Dwarakadeesh which was later installed in the temple at Bet
Dwaraka.
The temple is exquisitely carved with a variety of figures and there is
a panel of elephants at the base. Despite the fact that the salt air
has eroded many of the figures, yet we can still see the beauty of the
figures. I went there at sunset when none of the pilgrims were there
and was lucky to get a photo of Rugmani herself. I could feel her pain
at being separated from her beloved Lord for so many years. Yet I
suppose he must have visited her often. It was a most exquisite
figure and as I sat there contemplating on her form I felt that she
came down and offered me her own seat and insisted that I drink some of
the sweet water which was being offered outside. To please her
went and took a sip. I sat outside till the sun did its fabulous dip
into the ocean and thus closed another miraculous day.
Hari Aum Tat Sat.
NAGESWARA MAHADEVA TEMPLE
The Nageswara Mahadeva
temple is considered to be one of the twelve important jyotirlingams.
Jyotirlingam actually means a column of light in the shape of a linga.
The first jyotirlingam was an immeasurable column of light made by Lord
Shiva in order to prove his superiority over the tri-murtis (Brahma,
Vishnu and Mahadeva). Brahma and Vishnu were astonished to see this
light. A voice emanated from the column asking each of them to find out
the depth and height of the column of light. Vishnu opted to go down
while Brahma chose to go up. Vishnu in the form of Varaha (the cosmic
boar) went down for eons and could not discover the source of the
light. He came up and declared his inability to do so. Brahma aslo went
up for eons and also failed to discover the beginning of the light. As
he was coming down disappointed, he saw a keora flower which was
falling down from Shiva’s locks. He begged her to swear that she had
seen him at the top. She agreed reluctantly. Brahma swore to Shiva that
he had seen the top of the column of light and the keora flower nodded
her head. Shiva was furious and cursed Brahma that he would never have
any temples in his name and no one would worship him. He told the keora
flower that henceforth she would never be used in his puja. She begged
for forgiveness and he relented and said that she could be used outside
the temple for decoration. Shiva also declared that Vishnu would be
worshipped for all eternity and have many temples in his name.
The jyotirlingas
commemerate this event and they denote the supreme indivisible reality
from which Shiva appears. The first appearance is supposed to have
happened in Thiruvannamali in Tamil Nadu and is still celebrated by
lighting a huge bonfire on top of the hill every pournamai in the month
of Kartika (November).
There are actually
sixty-four jyotirlingas out of which twelve are considered to be
specially auspicious. Each of these jyotiringas takes the name of the
presiding deity and each is considered to be a separate manifestaton of
Shiva. The twelve jyotirlingas are Somnath is Gujarat, Mallikarjuna in
Srisailam, Andhra Pradesh, Mahakaleswara at Ujjain in Madhya Pradesh,
Omkareswara in Madhya Pradesh, Kedarnath in the Himalayas, Bhimshankara
in Maharashtra, Kasi Viswanatha at Varanasi in Uttar Pradesh,
Triambakeshwar in Maharashtra, Vaidyanatha at Deogarh in Jharkhand,
Nageswara in Dwaraka, Rameshwara at Rameswaram in Tamil Nadu, and
Grishneshwara in Aurangabad in Maharashtra.
The Shiva Purana says that
the Nageshvara Jyotirlinga is in 'Darukavana', which is forest
mentioned in many puranas. The Pandavas are supposed to have spent some
time there during their twelve years of exile. Once there was a demon
called Daruka who had a wife called Daaruki who worshipped Parvati.
Seeing her great devotion Parvati gave her a boon that the forest in
which she performed her tapas would be called Darukavana in her honour
and wherever she went the forest would follow her. In order to save the
demons from punishment from the gods she removed the forest into the
sea from where they started to harass the hermits and other devotees of
Shiva whom they caught and confined in their under water lair. Her
husband, Daruka once attacked a Shiva devotee called Supriya and
imprisoned him along with many others in his city of Darukavana, under
the sea inhabited by sea snakes and demons. Supriya made a lingam and
urged all the prisoners to chant the five lettered mantra of Shiva,
„AumNamashivaaya“. Shiva appeared and gave him a divine weapon that
saved his life. The demons were killed. The lingam was given the name
of Nageshwara. Parvati was known as Nageswari. This is the 10th of the
jyotirlingas. It has the power to take away the effects of all
types of poisonous bites by snakes and insects. All Shiva temples have
the gomukham, or the channel through which the water is poured
over the deity, facing north. Here it is facing east. It is said that
once a devotee called Namadev was singing bhajans in front of the Lord.
Some other devotees asked him to stand to a side so that he would not
hide the lingam. Namadev promptly asked them to show him one direction
in which the Lord does not exist. This angered them and they promptly
carried him and dumped him on the south side. To their surprise they
found that the lingam now turned to the south so that the gomukham
faced east.
This temple is located on
the road leading from Dwaraka proper to the island of Bet Dwaraka. I
went there on my return from Bet Dwaraka.
The compound is dominated
by a huge statue of Shiva. I knew that the lingam was inside a cave but
it was all built up so that the cave was covered by a huge modern
structure. From the door to the cave people were selling puja things at
exorbitant rates without which you were not allowed to enter the cave.
Even after buying you were held up just before entering the cave by
priests who demanded more money for various purposes. This was the only
temple in Gujarat to which I had so far gone that this has happened so
I was really sad. However having come all this way I was determined to
get in even if I had to pay. Once inside I was overpowered by the peace
and purity of the place.The lingam was of sandstone I think and was
possibly being eroded so they had covered it with glass. There was a
hole on top through which we could do abhishekam and offer flowers etc.
Only about ten people would be let in at a time since there was no
place inside the cave. Unfortunately the priest kept shouting at some
of those who had entered with me for some offence or other. Anyway I
finished my own puja and got out before he started shouting at me. I
had come here after Bet Dwaraka so it was a marked contrast. Anyway it
was all a lesson in acceptance I suppose and I accepted it as such.
Aum Namashivaaya.
HARI SIDDHI MATA
There is a large lighthouse in Dwaraka which is very close to the hotel
I was staying in. I had gone there one day and met a man who is in
charge of the place. He said the lighthouse was closed to people but I
sat and talked with him and discovered him to be a veritable mine of
information regarding all the temples in that area. I have to be really
grateful to him for having sent me to all the following temples some of
which are not even known to most people.
Hari Siddhi Mata is supposed to be the kula daivam (family diety) of
the Yadavas. Its 70 kms away from Dwaraka. The morning was really cold
even though the sun was shining but unfortunately I had not taken a
shawl so it was not a very pleasant ride but having reached the place
it was beautiful. The temple is on a small hill, (900 steps) and is
beside the sea. There is a big temple to the goddess at the bottom of
the hill so I went there first. All the Devi temples in this locality
have a special flavour about them. The deities are always plastered in
orange like the Hanumans and all have large lustrous eyes. I sat there
for a while and then went up the hill. There was a magnficent view of
the sea and the further shore from there. The temple had beautiful
carvings. The deity inside was the same as many of the others. I was
mesmerized by her since I knew that Lord Krishna must have seen her in
pretty much the shape that she was in now. Luckily I was able to take
many photos. There was a tree completely covered with red scarves tied
by pilgrims for the fulfillment of some vow. This is quite common in
all Devi temples. There were quite a few pilgrims there. There was a
man selling barley for feeding the doves. This is quite a common scene
in these places. Feeding of birds and cows are part of the worship of
God.
Harisiddhi Mata Mandir at Ladol, Gujarat, India.
The Temple was founded in Solanki Yug by an Emperor Siddharaj Jay Sinh
who has so much faith in Maa Harisiddhi in Ujjain, Madhya Pradesh,
India.
He convinced Maa to Come along with him in his Capital Patan, but
during his journey from Ujjain also known as Kashi, Varanasi to Patan…
Maa Harisiddhi has Chosen the place called Ladpalli for new temple
which is now known as Ladol situated in Vijapur taluka of Mehsana
District in Gujarat, India.
KAMAKSHI AND BALAJI TEMPLES
SERPENT GODS
My driver was insistent that I should visit the Kamakshi and Balaji
temples so we went there. My guru is the Shankaracharya of the
Kanchikama Koti peetham where you find the original temple of Kamakshi
Devi. I was surprised to find a huge complex of temples within a walled
compound. The temples were all in Dravidian style of course and the
figures were truly beautiful all made by Tamil Nadu sculptors.
Visvakarma in the Kamakshi temple complex
Kamakshi Devi was striking, wearing the usual ornate Kanchipuram sari
and all the other highly decorative jewellery.
Kamakshi Devi
There were many
beautiful statues of various gods, a place for the navagrahas and a
place for the serpent gods.
Thirupati Balaji was as usual most imposing and an absolute replica of
the original. On the way out all along the wall there were little
shrines housing all the 24 siddhas, starting with Agastya and Bhogar.
They were quite fascinating. I am always intrigued by the siddhas. The
pujari was from Madhya Pradesh strangely enough and not from Tamil Nadu
as one would have supposed. He was a very nice man and said he had been
doing puja there for the past 12 years. I congratulated him on the
beautiful and well maintained garden with tulsi and other flowers for
puja. I felt truly blessed to have had darshan of Kamakshi in Dwaraka.
Balaji
Jai Ma Kamakshi
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